The Writers' Block: Premee Mohamed | Stories

In Premee Mohamed’s 2021 novella, The Annual Migration of Clouds, a young girl and her mom struggle to stay alive in a world ravaged by climate change.

Both suffer from a sinister new disease, a fungal parasite which seems to control their thoughts and movements. The two live and work in what used to be the University of Alberta’s Biological Sciences Building, one of the few “sturdy” structures that can sustain life. Wild boars roam the river valley, largely devoid of trees due to a series of storms, landslides, wildfires and melting glaciers. Children play amongst the “crumbling ruins” of the Legislature.

Edmonton is a frequent backdrop in Mohamed’s science fiction, which often deals with calamities—whether caused by ancient monsters or climate disasters.

“I don’t think it’s realistic to write anything set in the future on Earth and NOT mention climate change,” says the Clareview resident.

Science non-fiction

Mohamed used to take classes in the “BioSci” building—she graduated with degrees in environmental science and molecular genetics.

Science was an early passion for Mohamed. While many four-year-olds are obsessed with cars or dolls, she was fascinated with microbes—tiny organisms that you can’t see without a microscope, let alone dress up or play with in a sandbox.

“I was one of those wee, tiny nerds,” she says.

“My parents got me a big stack of those Reader’s Digest condensed books—the ones that came with the dark brown pleather cover and had that Reader’s Digest-y smell. One was a condensed copy of Microbe Hunters by Paul de Kruif, and I swear to God, I was six or seven years old and I thought it was the most exciting thing I’d ever read. It’s about epidemiology but it’s also about the natural history of microbes. I was just obsessed. I was like: ‘I want to be a scientist!’ My parents humoured me—they got me kits, they got me books, they got me one of those kid-sized microscopes with a bunch of pre-made slides. I spent years looking through it and making drawings.”

A young girl sticks out her tongue as her smaller brother stands next to her in the middle of a grassy field on a cloudy day.

The cover of Premee Mohamed's book features her name at the top and an illustration of a bird with tendrils wrapped through its wings and tail.

The cover of Premee Mohamed's book, Beneath the Rising, features a black ring around the title and her name.

Rising author

Mohamed started writing short stories in her teens, but didn’t try to get published until her mid-30s, while she was working for the Alberta government. (She devised guidelines for the clean-up of factories, oil and gas wells, gravel pits and fertilizer plants.)

Since 2018, Mohamed has published more than 10 books and novellas, including And What Can We Offer You Tonight, which won a Nebula Award and World Fantasy Award in 2022. Her short stories have appeared in more than 75 anthologies, magazines, online publications and podcasts. In 2025, she was only one of two Canadian writers to be featured in The End of the World As We Know It, an anthology of short stories inspired by Stephen King’s The Stand, which follows the survivors of a deadly plague. To top it all off, she was the Edmonton Public Library’s writer in residence in 2024.

Delving into dichotomies

Mohamed’s very first book, Beneath The Rising, tells the tale of two teens—Nick and science prodigy Johnny—who try to stop a pack of ancient monsters from destroying the Earth. The novel is part sci-fi, part fantasy, part reflection on racism—with a mix of magic, religion, pop culture and references to the Edmonton area, including Elk Island National Park, Metro Cinema and the airport. Their end-of-the-world adventures take them to Morocco and Iraq, but the novel starts and ends in St. Albert, where the two friends live with their families.

For Mohamed, her sci-fi debut allowed her to write about the reality of living in the 780. Born in Edmonton, she grew up in St. Albert, the daughter of Indo-Caribbean parents from Guyana. (Her dad worked as an urban planner for the City of Edmonton.)

“To have the two main characters live in St. Albert seemed intuitive to me,” she says. “It also seemed like a useful way to denote what I had noticed in school—that some people in St. Albert have a lot of money and they live in fancy neighbourhoods. That’s the popular view of St. Albert. But there are some areas that are not like that whatsoever, so it made sense that one of the characters lived in one of those neighbourhoods and the other lived in a fancier one.”

This contrast is one of many that inspires Mohamed’s writing.

“I love Edmonton,” she says. “It’s home to me. It’s a place of dichotomies. It’s getting more unsafe for women of colour and that sits side-by-side with all the things that I love: my friends live here; the City is really trying to do its best by its citizens; the interesting museums and art galleries; the neighbourhoods with the big old trees. All these things sit side-by-side so that you can see the contrast.”