Camaraderie and support
Just as Chinatown embraced Chan’s parents, Edmonton’s arts community welcomed him with open arms when he started his career as a writer. He first wrote plays, including several of the local theatre scene’s biggest hits of the 1990s—Polaroids of Don, a comedy about a male romance writer who hires an alter ego; and Mom, Dad, I’m Living With a White Girl, a look at interracial relationships and Asian stereotypes. (The latter was eventually produced off-Broadway and published as a book.)
For Polaroids of Don, Chan was able to land one of Edmonton’s leading actors, Marianne Copithorne, when he still felt like an unknown playwright.
“I dropped the script in her mailbox in the dead of night and scurried away,” Chan remembers. “A couple of days later, she called and said: ‘I like the script and I want to do it.’ She doesn’t know who I am, yet she was willing to do this—if you talk to anybody who’s worked in theatre in Edmonton, you’ll hear similar stories of people who are willing to help out those who are starting out. It speaks volumes about how you connect support with creativity, right?