The Writers’ Block: Titilope Sonuga

Titilope Sonuga used to build bridges. 
Literally.

As a civil engineer, she worked on Edmonton’s 23rd Avenue Interchange Project. “I’m very proud of it,” she says. 

“It was my first project as a junior engineer-in-training after I graduated. I had the mentorship of some really great engineers and I got to learn a lot about how a thing becomes a thing.”

Sonuga now builds bridges and creates communities with words. She’s a poet, playwright and actor. She’s the mother of two and the founder of a local poetry collective. She also teaches workshops to students and adults around the world. 

“In retrospect, I can see the parallels between poetry and engineering,” she says. “I think I’ve always been in love with this idea of making something from nothing.”

Sonuga is the City of Edmonton’s 9th Poet Laureate, a role created in 2005 to reflect the life of our city through poetry and readings. The position is supported by the City, the Edmonton Arts Council and the Edmonton Public Library.

Hope and healing are major themes of Sonuga’s own poetry. Her third and latest collection, This Is How We Disappear (2019), is a powerful exploration of loss, the invisibility of women, and acts of defiance, inspired by the 276 Nigerian girls kidnapped by terrorists in 2014. 

“It’s about the ways that women disappear in the world, emotionally, psychologically, physically,” she says. “But also the ways we reappear, more powerful, more magical, more fierce.”

Nigeria to Edmonton

Born in Lagos, Nigeria, Sonuga moved to the Alberta capital when she was 13. Edmonton is central to her foundation as a poet—she fell in love with writing here, encouraged by teachers, other aspiring wordsmiths, and Edmonton’s enterprising spirit. 

She initially pursued writing as a hobby, opting to study civil engineering at the University of Alberta. After she graduated, she went to work for Edmonton’s ISL Engineering—and then her poetry career started to take off.

Sonuga started the Breath In Poetry Collective and a weekly poetry night in 2009; released her first award-winning collection, Down to Earth, and spoken-word album, Mother Tongue, in 2011; and won the Maya Angelou Poetry Contest in 2012. 

“I had opportunities to share my work,” says Sonuga. “The more I performed, the more I’d get invited to other places like Vancouver and Toronto. I found myself taking more and more time off work because poetry was starting to bleed into my engineering life. 

“There was also a marked difference in how I felt on stage versus when I was at work. While I enjoyed it, and my company and co-workers were brilliant, beautiful, generous and very supportive, I knew I felt so much more myself when I was telling stories. I felt much more alive.”

TV, theatre and tentative plans

Sonuga finally left engineering in 2013 and began to split her time between Edmonton and Lagos, where she performed at the 2015 inauguration of the Nigerian president. She also landed a role in a Nigerian TV show, Gidi Up, for two seasons. Her last visit to Lagos was in January 2020, to attend the opening of her first musical, Ada The Country. 

She gave birth to a daughter May 2021—a month before Sonuga was named Edmonton’s poet laureate. (She also has a young son.) She’s tentatively starting to think about her next book and longs to perform, collaborate and build bridges in person again.

“I do miss the feeling of being able to be in community,” she says. “Just the spontaneous nature about being able to walk into a room and make something there.

The Writers' Block series features yeg-cellent authors and their latest work. Read the other chapters: 

• Adriean Koleric, Trakovi: The Slav With No Remorse
• Rollie Pemberton, Bedroom Rapper: Cadence Weapon on Hip Hop, Resistance and Surviving the Music Industry
• Carrie Armstrong, Mother Earth: Plants for Health & Beauty
• Premee Mohamed, The Annual Migration of Clouds
• Myrna Kostash, Ghosts in a Photograph
• Onaolapo Dagunduro, My Big Welcome